Eeter the Guards

2025
Acrylic on canvas
50×40cm

The Kid Playing Shuttlecock

2024
Acrylic on canvas
80×60cm

Dark Plum

2024
Acrylic on canvas
60×80cm

Two People

2024
Acrylic on canvas
80×60cm

Pier

2024
Acrylic on canvas
60×80cm

Romance of the West Chamber III

2024
Acrylic on canvas
60×50cm

Romance of the West Chamber I

2024
Acrylic on canvas
80×60cm

King and Queen

2024
Acrylic on canvas
120×150cm

Man and Fish

2024
Acrylic on canvas
50×50cm

Romance of the West Chamber II

2024
Acrylic on canvas
50×60cm

Romance of the West Chamber

2024
Acrylic on canvas
40×50cm

New Mankind

2024
Acrylic on canvas
50×50c

Star Diver

2023
Acrylic on canvas
110×150cm

Women and Children

2023
Acrylic on canvas
120×150cm

Four Old Kings

2023
Acrylic on canvas
50×70cm

Four Old Kings

2023
Acrylic on canvas
50×70cm

The Person in Strawhat

2023
Acrylic on canvas
120×150cm

Ancient People Playing with Fan

2023
Acrylic on canvas
120×150cm

Conductor of Interstellar Mortal Band

2023
布面丙烯
120×150cm

Interstellar Romance of the West Chamber-Guest

2023
Acrylic on canvas
120×150cm

The Land of Armour

2021
Acrylic on canvas
110×150cm

Hidden Troops

2018
Acrylic on canvas
110×150cm

Three Birdmen

2018
Acrylic on canvas
40×50cm

Kite

2018-2024
Acrylic on canvas
60×80cm

The City of Brush strokes

2014
Acrylic on canvas, ink
122×155cm

The City of Brushstrokes

2014
Acrylic and ink on canvas
122×155cm

Flowstone

2013
Acrylic on canvas
150×110cm

The Land of Minor Details

2012
Acrylic on canvas
110×160cm

Cavalryman

2012
Acrylic on canvas
150×120cm

Interior

2012
Acrylic on canvas
80×100cm

Not a Horse Caravan

2012-2023
Acrylic on canvas
130×170cm

Writing the Remains of an Ancienet City

2012-2022
Acrylic on canvas
150×120cm

Meeting of Immortals

2010
Acrylic on canvas
110×150cm

The Old King’s Canteen

2010
Acrylic on canvas
110×150cm

Small Town

2009
Acrylic on canvas
170×130cm

Balcony

2009
Acrylic on canvas
120×90cm

Ghost Camps

2008
Acrylic on canvas
90×115cm

Ghost Camps

2008
Acrylic on canvas
90×115cm

Bird in Flight

2005
Acrylic on canvas
150×110cm

Come Across

2004
Oil on canvas
73×59cm

Flood

2004
Oil on canvas
110×150cm

Come Across

2004
Oil on canvas
73×59cm

Lovers

2003
Oil on canvas
150×110cm

Warfare

2003
Oil on canvas
90×110cm

Park-goers

2003
Oil on canvas
66×50cm

Passing Through

2003
Oil on canvas
74×60cm

Park-goers

2003
Oil on canvas
66×50cm

Lovers

2003
Oil on canvas
150×110cm

Peek

2002
Oil on canvas
150×110cm

Ancient Soldiers

2001
Oil on canvas
173×130cm

Starry Night

2000
Oil on canvas
180×150cm

Educating

2000
Oil on canvas
180×150cm

Portrait of A Boy

1999
Oil on canvas
180×150cm

Portrait of A Writer

1999
Oil on canvas
173×130cm

Portrait of A Woman

1998
Oil on canvas
180×150cm

弹吉他的女人

1997
Oil on canvas
90×90cm

Pinpoint

Pinpoint

2024.5.22-2024.6.22
Hive｜Beijing

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在朱小禾的创作中线的存在贯穿始终，既作为构成他绘画基本结构的细胞，亦扮演着他艺术生命中无可替代的轴心。八十年代考入四川美术学院工艺系漆器专业的朱小禾自然而然地绕过了写生的传统与再现的思维，转而专注于媒介自身的语言与物质性。朱小禾自觉深受保罗·克利的影响与启发，但他并未效仿克利“带着线条去散步（Take a line for a walk）”的潇洒与诗意，而是时刻秉承克己复礼的信条，以不计其数、层层叠叠的线条书写哲思的矩阵。

对朱小禾而言，无穷的变化恰恰蕴育在有限之中，时间无形的累积赋予了空间上无尽的丰富度。唯有用最单一、最纯粹的线条，去实现最基础、最赤裸的艺术力。此次展览主题“针芒”，取自东晋《笔阵图》中对于书法的叙述，“下细如针芒”，细微且有力，对映了朱小禾传递于画笔之端的卓尔不群的力度与态度，以精到的笔锋直指矢志不渝的艺术理想，用致密排布的线条昭示着穿透现象世界的洞察。

当观看的视野从画面局部的细微线条抽身，影影绰绰的图像逐渐拼凑成形，它们大多直接取材于民间木刻版画与古代连环画的图示。无独有偶，这些朱小禾自幼接触到的图像资源亦与中国古代漆器的诸多纹样重叠，它们以漆器上千年的繁复工艺为载体，共同构成了形式与内容的双重传统。就这样，朱小禾以线条的书写与覆盖，置换了漆器的涂堆与雕琢，用他的当代笔法消解并重构了传统工艺，因为他深信，“艺术为了传承，为了生存，必须远行，必须失踪。”

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