Take off

2024
Acrylic on canvas
200×150cm

Each Other

2024
Acrylic on canvas
200×150cm

Integrate

2024
Acrylic on canvas
200×150cm

Whisper

2024
Acrylic and Chinese ink on canvas
150×180cm

Untitled

2024
Acrylic and Chinese ink on canvas
200×150cm

A Delicate Equipoise II

2024
Acrylic and Chinese ink on canvas
180×300cm

A Delicate Equipoise I

2024
Acrylic and Chinese ink on canvas
180×300cm

Pillow Talk

2024
Acrylic on canvas
100×200cm

Confusion

2023
Mixed media on silk
120×80cm

Plight

2023
Mixed media on linen
118×55cm×3

Untitled

2023
Mixed media on linen
70×105cm

Addiction

2023
Mixed media on silk
120×80cm

Unüeiled

2023
Mixed media on silk
200×80×19cm×4

Fascination

2023
Mixed media on silk
60×170cm

Obsession

2023
Mixed media on silk
60×170cm

Untitled

2023
Mixed media on linen
74×54cm

Untitled

2023
Mixed media on linen
54×74cm

Jottings I

2022
Watercolor on digital print
28.6×37.4cm

Jottings II

2022
Watercolor on digital print
28.6×37.4cm

Jottings III

2022
Watercolor and etching on Somerset paper
24.7×19.5cm

Jottings IV

2022
Watercolor and etching on Somerset paper
25.4×19.2cm

Jottings IV

2022
Watercolor and etching on Somerset paper
25.4×19.2cm

 

Zhang Mingxuan

Zhang Mingxuan, born in 1998 in Liaoning, China, moved to Wuhan, Hubei, in 2003 with her family. She graduated from Central Saint Martins in the UK with a Bachelor’s degree in 2020 and a Master’s from the Royal College of Art in 2023. She currently lives and works between London and Hong Kong. Zhang’s artistic practice centres around the fluidity and desymbolisation of the body, examining the relationship between the body, space and gaze through contortion and absence. Adroitly incorporating real, ready-made textiles into paintings, she captures the transition between the ‘illusion’ and the ‘real’. The application of tangible matter to cover and encase the ‘virtual body’ in her paintings has become her reflection on the situation of the body in reality. In most of her works, the canvas is transformed into a frame or vessel, imposing a forceful compression on the subject in the image, through which she reassesses and iteratively explores the societal definition of the concept of the body and the possible implication and connotation that the image of the body. Zhang Mingxuan is also fascinated by the differences in the understanding of body/space between Eastern and Western contexts. Through her works, she addresses conflict and confrontation, encapsulation and synthesis as unique interpretations and explorations of her experience in a multicultural context.

 

Education

2021 – 2023 Royal College of Art, UK, MA Print

2016 – 2020 Central Saint Martins, UK, BA (hons) Fine Art

 

Group Exhibitions

Bainbridge Open 2023, ASC Gallery, June 2023

Two Fold, Southwark Park Galleries, March 2023

The damage is Done!, Pumphouse Gallery , March 2022

‘Infinity energy loop’ Tate Exchange, Tate Modern, January 2019

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