Intelligent Capital – Social and Cultural Trends: Crimson Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Intelligent Capital – Social and Cultural Trends: Violet Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Intelligent Capital – Social and Cultural Trends: Golden Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Intelligent Capital – Social and Cultural Trends: Cyan Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Intelligent Capital – Social and Cultural Trends: Scarlet Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Red Computer

2025
Oil, acrylic, silkscreen, collage, rice paper, and ink and wash on canvas
2000cmx500cm

Stars Fall: Putin’s Final Battle

Oil on canvas, acrylic, spray paint on paper, stamps, flag stickers, paint pen, newspaper, silk screen, paint marker
585×790cm

Love Encyclopedia

2022-2023
Oil on canvas, acrylic, paper collage, silk, stamps, charcoal, paintbrush, spray paint, screen printing, Chinese painting pigments
200×300cm

Stamp collecting: Hua (Intellectual History)

2021. Oil and Acrylic on canvas, paper collage, stamp, screen printing, solid marker, oil pastels, goldleaf, transparent watercolor, paint pen. 80×100 cm.

Interstellar Mining: Platinum Diplomacy

2021. Oil on canvas, paper collage, stamps, silkscreen, gold and silver leaf, markers, paint pens, spray paint, mineral paint, pastels, oil pastels. Four 100 cm diameter circles , a 200cmx200 cm rectangle, a 200×200 cm irregular shape, and a 150 cm pentagram.

I Want to be Modern

2021. Oil on canvas, paper collage, stamps, silkscreen, gold and silver leaf, markers, paint pens, spray paint, mineral paint, pastels, oil pastels. 200x200cmx5.

Dream of Unity (Lovers)

2021. Oil, watercolor, and transparent color on canvas, paper collage, stamps, newspaper. 150x180cm.

Red Tiger (Hua): Third-World Hunting

2021. Oil on canvas, paper collage, stamps, silkscreen, gold and silver leaf, markers, paint pens, spray paint, mineral paint, pastel, oil pastel. 200×120cm, 200×180cm.

HUA: Golden Palm and Red Ribbon

2021. Oil and acrylic on canvas, paper collage, stamps, silkscreen, national flag stickers, markers, gold leaf, oil paint pens, transparent watercolor, spray paint. 80x100cm

A Study in Scarlet: Anglomania (Museum)

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, gold foil, stamps, woodcut prints. 200x180cm

A Study in Scarlet: The Gentleman of Communist Capitalism

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, stamp, woodcut prints. 200x180cm

A Study in Scarlet: Sovereign Police (Celebration)

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, stamp, gold leaf, woodcut prints. 200x180cm

A Study in Scarlet: When the World Becomes a Plantation

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, gold foil, stamps, woodcut prints, toner, oil pastel. 200x180cm

A Study in Scarlet: Modeling History (Revolutionary Art Skills)

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, stamp, graphite, flag stickers, woodcut prints. 200x180cm

Flag Practice: Gentleman of the Nation Country

2021. Oil on canvas, acrylic, collage on paper, paint pen, transparent watercolor, oil pastel, flag sticker, woodcut print, spray paint, plastic sticker. 25x40cm (each), a total of three.

78

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, woodcut print, graphite, stamp. 92x46cm

Red Expedition: Farewell to the Past

2021. Oil, acrylic, paper collage, woodcut prints, stamps
 on canvas. 30x56cm

Modern Architecture: Dwelling of Ideas

2021
Oil on canvas, acrylic, collage on paper, spray paint, paintbrush, marker, watercolor, stamps, woodcut prints, graphite, gold leaf
The image consists of 15 sections, total size 400 x 600cm
Commissioned by the Sifang Art Museum

Red Land

Oil on canvas, acrylic, paper collage, screen prints, stamps, transparent water colors, mineral pigments, oil
sticks, pastels, markers, coffee, spray paint, paint pen
200×300cm

Utopia Guide

2020. Oil painting on canvas, camouflage canvas, acrylic, spray paint, paint pen, paper collage. 100×80cm.

Time, History, Why We Fight: Quarantine Become Final Fig Leaf of Nationalism

2020. Pastels, oil pastels, acrylic, paint spraying, Solid Maker, paper collage, oil on canvas. 170×200cm.

Time, History, Why We Fight: Fruits of Earth and Territorial Resource become Friendship and Envoy of Peace

2020. Pastels, oil pastels, acrylic, paint spraying, Solid Maker, paper collage, oil on canvas. 170×200cm.

Time, History, Why We Fight: All the Scars and History Turn into Poem, Poem, Poem

2020. Stamp, watercolor, oil pastels, acrylic, Solid Maker, paper collage,
oil on canvas. 170×200cm.

Time, History, Why We Fight: Woodcutter and Fisheries Questions and Answers, People Buy Munitions in the Cold War Market

2020. Pastels, oil pastels, acrylic, paint spraying, Solid Maker, paper collage, oil on canvas. 170×200cm.

Visual Machine: Treasure Island (New Star War)

2020. Oil on canvas, paint pen, mineral pigment, maker pen, stamp, spray paint, paper collage. 100×80cm.

Kintsukuroi-Camouflage

2020. Silk, gold paint. 168x1700cm.

Kintsukuroi-Camouflage is a kind of anthropomorphic fabric. The pattern and texture explore the subtle differences of varied skin tones. Camouflage not only implies coexistence and cohesion as a material frequently serves for military supplies, but it also implies concealment and conflicts. The application of gold paint in this work originates from the idea of Kintsukuroi for repairing broken historical objects. These golden brushstrokes exude a delicate expression in both implicit convergence and mutual accomplishment. This expression fits into a broader understanding of ethnic communities through means of the anthropomorphic nature of the work.

Dam Theater: I Want to be Modern

2020-2021. Video still, single-channel video, color, sound, 23’11”. Edition of 5, 1 AP. Commissioned by the 13th Shanghai Biennale/ Power Station of Art

Cadeau Tropical

2018. Single-channel video, color, sound. 5’00”.

Memoire Crepusculaire

2018. Film still. Single-channel video, color, sound. 10’40‘’.

黑缪斯

2018
Oil on canvas
30×20cm

French Film 1

2017. High-resolution colored video with audio in French and subtitles in Chinese. 37’17“.

Montage of the Photos-Symptom of the Memoir

2017. Film still. High-resolution video, silent. 2’25”.

Western Guest, Marianne Part I

2017. Black iron sculpture. 40×20×20cm.

Western Guest, Marianne Part II

2017. Epson ultra giclée print. 150×90cm.

Roman Nomade and an Unknowjourney-A Brief History of Colonist (Mass of Solomon Islands)

2016. 19th-century postcard. 13.7×9cm.

Roman Nomade and an Unknowjourney-A Brief History of Colonist (Catechists Missionaries of Mary Immaculate-Kumbakonam-Hindoustan-Salam Ophanage)

2016. 19世纪纸本明信片. 13.7×9cm.

Atlas-Fetish about Exotic Culture

2016. Epson ultra giclée print. 100×70cm. Edition: 1-10/10.

 

PU YINGWEI

Pu Yingwei (b. 1989) lives and works in Beijing, China. As an active contributor to the new generation of political conceptual art in China, he critically engages with the socialist art genealogy. Pu Yingwei dedicates his work to articulating the changes in China’s identity amid globalization, exploring the deeper impact of China’s modernization and development model on global patterns through cross-cultural narratives. His practice employs various media, including painting, video, design, writing, and lecturing. He has developed a “new internationalist” artistic language based on his perception of Eastern civilization. In recent years, Pu Yingwei has deepened his global engagement, traveling to Eastern Europe, Africa, Central Asia, Southeast Asia, the Americas, and the Caribbean, including regions like the Balkan Peninsula and Ukraine, which are currently in conflict.

Pu received his BFA from Sichuan Fine Art Institute in 2013, DNSEP (MFA with Félicitation du jury) from École Nationale Supérieure des Beaux-Arts de Lyon in 2018. He has been the recipient of several awards, including the John Moores Painting Prize, the Golden Hibiscus Award for Photography, and the International Awards for Art Criticism Prize (IAAC) for his writings. Pu has been recognized in prestigious lists such as Forbes China Contemporary Young Artists of the Year, Gen. T Asian Emerging Pioneers list, China Art power 100, and the HuaYu Youth Award, among others. He also received the TAG New Contemporary Art Prize, the Jimei Arles Discovery Reward, Porsche “Young Chinese Artist of the Year” Award, and was named the first “FT Chinese Artist of the year” by Financial Times.

 

1989 Born in Shanxi, lives and works in Beijing, China

2013 Sichuan Fine art Institute, Bachelor Degree

2018 École Nationale Supérieure des Beaux-Arts de Lyon, MFA with Félicitation du jury

 

Solo exhibitions

2025 Red Computer, Hive Center for Contemporary Art, Beijing, China

2024 New Century Encyclopedia, He Art Museum, Shunde, China

2023 Red Now, Me, Galrie Sator Komunuma, Paris, France

2022 Red World When We Love, West Bund Art and Design, Shanghai, China

2021 A Study in Scarlet, Mamoth, London, United Kingdom

Obscure Adventure – Speculative Pop & Pan-Chinesism, START Museum, The Research, Shanghai, China

2020 Photoethic: CHINAFRICA, Jimei x Arles International Photo Festival, Xiamen, China

Time, History, Why We Fight, Hive Center for Contemporary Art, Beijing, China

Pu Yingwei: China Capital, Madein Gallery, Shanghai, China

2019 Pu Yingwei 1989, Organhaus, Chongqing, China

2018 Double Empire, Nouvel Institut Franco-Chinois, Lyon, France

If only it were true, Galerie Sator, Paris, France

2017 Pu Yingwei and Jim Thompson Architects, J: GALLERY, Shanghai, China

Roman Nomade, Hive Center for Contemporary Art, Beijing, China

 

Group exhibitions

2025 Luminosity Reborn, Fudan University 120th Anniversary Exhibition& Inaugural Exhibition of Fudan Art Museum, Fudan Flux, Fudan Art Museum, Shanghai, China

Sea of Tranquility, Yue Art Museum, Yantai, China

Re-Asia Project – Prologue, Longlati, Shanghai, China

Questions That Pierce Time, Hunan Art Museum’s Fifth Young Artist Program, Hunan Art Museum, Hunan, China

2024 Centre Anywhere, Yuan Art Museum, Beijing, China

One and All: New Artistic Styles of Contemporary Painting, National Art Museum of China, Beijing, China

Symphony of Coexistence – Chinese and Southeast Asian Art Invitational Exhibition, Art Museum of SCFAI, Chongqing, China

Return of the Sea, TAG Art Museum, Qingdao, China

Perception and Traces, The Age of Human Wisdom, Jinan International Biennale, Jinan, China

Pulse of the Hinterland: Wisdom Integration of the Silk Road, The 4th Xinjiang China International Art Biennial, Xinjiang Art Museum, Urumqi, China

The Exhibition of Annual of Contemporary Art of China 2013-2024, One Art Museum, Beijing, China

2023 Compound Eyes and Deep Pupils, Annual Exhibition of the Oil Painting Department, 30th Anniversary Archive Exhibition, Sichuan Fine Arts Institute Art Museum, Chongqing, China

Geographies of Feeling, 2023 Parallel Exhibition of Chengdu Biennale, A4 Art Museum, Chengdu, China

Seaward, the 2nd TAG-New Contemporary,TAG Art Museum, Qingdao, China

13+1 – Genealogy Study of Artists Season 1, Start Art Museum, Shanghai, China

Seeking the City, 2023 Datong Contemporary Art Season, Datong Ancient City, Taiping Tower South, Datong, China

Bordercrossing: Possibilities and Interactions, Yuz Museum, Shanghai, China

Focus China, Staatliche Kunstsammlungen Dresden, Dresden, Germany

Steadfastly Revise for the Standards in Nonproductive Construction, Lona March Space, Beijing, China

Annular Vaccum Chamber, Yuan Art Museum, Beijing, China

Projection, Sifang Art Museum, Nanjing, China

Resonance Between Text, Code and Perception: Three Perspectives of Medium in Art Practice, CAFA Art Museum, Beijing, China

Edges as the Center: Riverine Borders, Bridges and Memory Spaces between China, Mongolia, North Korea and Russia, G Museum, Nanjing, China

2022 ON |OFF: Carousel of Progress, He Art Museum, Shunde, China

Floating, Guangdong Museum of Art, Guangdong, China

The Disconnected Generation, Song Art Museum, Beijing, China

Pixe/ Row, West Bund Museum, Shanghai, China

Wuhan Biennale: Open Gesture, He Museum, Wuhan, China

Un dialogue avec la Sensibilité Écriture, Désir, Amour, Being Art Museum , Shanghai, China

2021 When and Only When, the Strong Wind Rolled up the Surge, Aranya, Qinhuangdao, China

Almost Paradise, Mis/Perceptions of Leisure and Labor in the Asia-Pacific, Shanghai Duolun Museum of Modern Art, Shanghai, China

13th Shanghai Biennale: Bodies of Water, Power Station of Art, Shanghai, China

Circular lmpact: Video Art 21, OCAT Shanghai, Shanghai, China

2020 An Archive Seven Trails, Taikang Space, Beijing, China

Those who see and know all, are all and can do all, 798 Art Center, Beijing, China

Gold en Flow, CHAO Art Center, Beijing, China

Being of Evils, Hive Center for Contemporary Art, Beijing, China

2018 Dance With It, Taikang Space, Beijing, China

The Comfort Zone At A Distance, Taikang Space-Light Pavilion, Beijing, China

Fiction Art, OCAT Shenzhen, Shenzhen, China

2017-2018 OCAT Shanghai/OCAT Institute, Shanghai/Beijing, China

2017 I Do (not) Want To Be Part Of Your Celebration, Qiao Space & TANK Shanghai

Project Space, Shanghai, China

Reciprocal Enlightenment, CAFA, Beijing, China

 

Coversation with Pu Yingwei

时间,历史,我们(Why We Fight)——无法决裂的历史

艺术是梯子吗?

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