Intelligent Capital – Social and Cultural Trends: Crimson Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Intelligent Capital – Social and Cultural Trends: Violet Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Intelligent Capital – Social and Cultural Trends: Golden Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Intelligent Capital – Social and Cultural Trends: Cyan Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Intelligent Capital – Social and Cultural Trends: Scarlet Red

2025
Oil, acrylic, mineral pigments, silkscreen, rice paper, ink and wash, and gold leaf on canvas
180×120cm

Red Computer

2025
Oil, acrylic, silkscreen, collage, rice paper, and ink and wash on canvas
2000cmx500cm

Stars Fall: Putin’s Final Battle

Oil on canvas, acrylic, spray paint on paper, stamps, flag stickers, paint pen, newspaper, silk screen, paint marker
585×790cm

Love Encyclopedia

2022-2023
Oil on canvas, acrylic, paper collage, silk, stamps, charcoal, paintbrush, spray paint, screen printing, Chinese painting pigments
200×300cm

Stamp collecting: Hua (Intellectual History)

2021. Oil and Acrylic on canvas, paper collage, stamp, screen printing, solid marker, oil pastels, goldleaf, transparent watercolor, paint pen. 80×100 cm.

Interstellar Mining: Platinum Diplomacy

2021. Oil on canvas, paper collage, stamps, silkscreen, gold and silver leaf, markers, paint pens, spray paint, mineral paint, pastels, oil pastels. Four 100 cm diameter circles , a 200cmx200 cm rectangle, a 200×200 cm irregular shape, and a 150 cm pentagram.

I Want to be Modern

2021. Oil on canvas, paper collage, stamps, silkscreen, gold and silver leaf, markers, paint pens, spray paint, mineral paint, pastels, oil pastels. 200x200cmx5.

Dream of Unity (Lovers)

2021. Oil, watercolor, and transparent color on canvas, paper collage, stamps, newspaper. 150x180cm.

Red Tiger (Hua): Third-World Hunting

2021. Oil on canvas, paper collage, stamps, silkscreen, gold and silver leaf, markers, paint pens, spray paint, mineral paint, pastel, oil pastel. 200×120cm, 200×180cm.

HUA: Golden Palm and Red Ribbon

2021. Oil and acrylic on canvas, paper collage, stamps, silkscreen, national flag stickers, markers, gold leaf, oil paint pens, transparent watercolor, spray paint. 80x100cm

A Study in Scarlet: Anglomania (Museum)

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, gold foil, stamps, woodcut prints. 200x180cm

A Study in Scarlet: The Gentleman of Communist Capitalism

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, stamp, woodcut prints. 200x180cm

A Study in Scarlet: Sovereign Police (Celebration)

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, stamp, gold leaf, woodcut prints. 200x180cm

A Study in Scarlet: When the World Becomes a Plantation

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, gold foil, stamps, woodcut prints, toner, oil pastel. 200x180cm

A Study in Scarlet: Modeling History (Revolutionary Art Skills)

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, marker, transparent watercolour, watercolour, stamp, graphite, flag stickers, woodcut prints. 200x180cm

Flag Practice: Gentleman of the Nation Country

2021. Oil on canvas, acrylic, collage on paper, paint pen, transparent watercolor, oil pastel, flag sticker, woodcut print, spray paint, plastic sticker. 25x40cm (each), a total of three.

78

2021. Oil on canvas, acrylic, collage on paper, spray paint, paint pen, woodcut print, graphite, stamp. 92x46cm

Red Expedition: Farewell to the Past

2021. Oil, acrylic, paper collage, woodcut prints, stamps
 on canvas. 30x56cm

Modern Architecture: Dwelling of Ideas

2021
Oil on canvas, acrylic, collage on paper, spray paint, paintbrush, marker, watercolor, stamps, woodcut prints, graphite, gold leaf
The image consists of 15 sections, total size 400 x 600cm
Commissioned by the Sifang Art Museum

Red Land

Oil on canvas, acrylic, paper collage, screen prints, stamps, transparent water colors, mineral pigments, oil
sticks, pastels, markers, coffee, spray paint, paint pen
200×300cm

Utopia Guide

2020. Oil painting on canvas, camouflage canvas, acrylic, spray paint, paint pen, paper collage. 100×80cm.

Time, History, Why We Fight: Quarantine Become Final Fig Leaf of Nationalism

2020. Pastels, oil pastels, acrylic, paint spraying, Solid Maker, paper collage, oil on canvas. 170×200cm.

Time, History, Why We Fight: Fruits of Earth and Territorial Resource become Friendship and Envoy of Peace

2020. Pastels, oil pastels, acrylic, paint spraying, Solid Maker, paper collage, oil on canvas. 170×200cm.

Time, History, Why We Fight: All the Scars and History Turn into Poem, Poem, Poem

2020. Stamp, watercolor, oil pastels, acrylic, Solid Maker, paper collage,
oil on canvas. 170×200cm.

Time, History, Why We Fight: Woodcutter and Fisheries Questions and Answers, People Buy Munitions in the Cold War Market

2020. Pastels, oil pastels, acrylic, paint spraying, Solid Maker, paper collage, oil on canvas. 170×200cm.

Visual Machine: Treasure Island (New Star War)

2020. Oil on canvas, paint pen, mineral pigment, maker pen, stamp, spray paint, paper collage. 100×80cm.

Kintsukuroi-Camouflage

2020. Silk, gold paint. 168x1700cm.

Kintsukuroi-Camouflage is a kind of anthropomorphic fabric. The pattern and texture explore the subtle differences of varied skin tones. Camouflage not only implies coexistence and cohesion as a material frequently serves for military supplies, but it also implies concealment and conflicts. The application of gold paint in this work originates from the idea of Kintsukuroi for repairing broken historical objects. These golden brushstrokes exude a delicate expression in both implicit convergence and mutual accomplishment. This expression fits into a broader understanding of ethnic communities through means of the anthropomorphic nature of the work.

Dam Theater: I Want to be Modern

2020-2021. Video still, single-channel video, color, sound, 23’11”. Edition of 5, 1 AP. Commissioned by the 13th Shanghai Biennale/ Power Station of Art

Cadeau Tropical

2018. Single-channel video, color, sound. 5’00”.

Memoire Crepusculaire

2018. Film still. Single-channel video, color, sound. 10’40‘’.

黑缪斯

2018
Oil on canvas
30×20cm

French Film 1

2017. High-resolution colored video with audio in French and subtitles in Chinese. 37’17“.

Montage of the Photos-Symptom of the Memoir

2017. Film still. High-resolution video, silent. 2’25”.

Western Guest, Marianne Part I

2017. Black iron sculpture. 40×20×20cm.

Western Guest, Marianne Part II

2017. Epson ultra giclée print. 150×90cm.

Roman Nomade and an Unknowjourney-A Brief History of Colonist (Mass of Solomon Islands)

2016. 19th-century postcard. 13.7×9cm.

Roman Nomade and an Unknowjourney-A Brief History of Colonist (Catechists Missionaries of Mary Immaculate-Kumbakonam-Hindoustan-Salam Ophanage)

2016. 19世纪纸本明信片. 13.7×9cm.

Atlas-Fetish about Exotic Culture

2016. Epson ultra giclée print. 100×70cm. Edition: 1-10/10.

PU YINGWEI

Pu Yingwei (b. 1989) lives and works in Beijing, China. As an active contributor to the new generation of political conceptual art in China, he critically engages with the socialist art genealogy. Pu Yingwei dedicates his work to articulating the changes in China’s identity amid globalization and exploring the deeper impact of China’s modernization and development model on global patterns through cross-cultural narratives. His practice employs various media, including painting, video, design, writing, and lecturing. He has developed a “new internationalist” artistic language based on his perception of Eastern civilization. In recent years, Pu Yingwei has deepened his global engagement, traveling to Eastern Europe, Africa, Central Asia, Southeast Asia, the Americas, and the Caribbean, including regions like the Balkan Peninsula and Ukraine, which are currently in conflict.

Pu received his BFA from Sichuan Fine Art Institute in 2013, DNSEP (MFA with Félicitation du jury) from École Nationale Supérieure des Beaux-Arts de Lyon in 2018. He has been the recipient of several awards, including the John Moores Painting Prize, the Golden Hibiscus Award for Photography, and the International Awards for Art Criticism Prize (IAAC) for his writings. Pu has been recognized in prestigious lists such as Forbes China Contemporary Young Artists of the Year, Gen. T Asian Emerging Pioneers list, China Art power 100, and the HuaYu Youth Award, among others. He also received the TAG New Contemporary Art Prize, the Jimei Arles Discovery Reward, Porsche “Young Chinese Artist of the Year” Award, and was named the first “FT Chinese Artist of the year” by Financial Times.

Pu Yingwei’s works have been exhibited at numerous prestigious venues and institutions both domestically and internationally, including the Staatliche Kunstsammlungen Dresden, the Walker Art Gallery (Liverpool), the 13th Shanghai Biennale, the Caen Film Festival, Nouvel Institut Franco-Chinois (Lyon), the National Art Museum of China, the Power Station of Art in Shanghai (Shanghai), the OCAT Museums, and the Taikang Space (Beijing). His works are widely collected by significant institutions and collections such as the KADIST, the Groupe Emerige (France), the White Rabbit Gallery (Australia), the Guangdong Museum of Art (Guangzhou), the He Art Museum (Shunde, China), the Start Museum (Shanghai), the Song Art Museum (Beijing), Sifang Art Museum (Nanjing, China), the Longlati Foundation (Shanghai), and the ASE Foundation (Shanghai).

PU YINGWEI

1989 Born in Shanxi, lives and works in Beijing, China
2013Sichuan Fine art Institute, Bachelor Degree
2018 École Nationale Supérieure des Beaux-Arts de Lyon, MFA with Félicitation du jury

Solo exhibitions/projects
2025 Red Computer, Hive Center for Contemporary Art, Beijing, China
2024 New Century Encyclopedia, He Art Museum,Shunde, China
2023 Red Now, Me, Galrie Sator Komunuma, Paris, France
2022 Red World When We Love, West Bund Art and Design, Shanghai, China
2021 A Study in Scarlet, Mamoth, London, United Kingdom
Obscure Adventure – Speculative Pop & Pan-Chinesism, START Museum, The Research, Shanghai, China
2020 Photoethic: CHINAFRICA, Jimei x Arles International Photo Festival, Xiamen, China
Time, History, Why We Fight, Hive Center for Contemporary Art, Beijing, China
Pu Yingwei: China Capital, Madein Gallery, Shanghai, China
2019 Pu Yingwei 1989, Organhaus, Chongqing, China
2018 Double Empire, Nouvel Institut Franco-Chinois, Lyon, France
If only it were true, Galerie Sator, Paris, France
2017 Pu Yingwei and Jim Thompson Architects, J:GALLERY, Shanghai, China
Roman Nomade, Hive Center for Contemporary Art, Beijing, China

Selected group exhibitions
2025 Luminosity Reborn, Fudan University 120th Anniversary Exhibition& Inaugural Exhibition of Fudan Art Museum, Fudan Flux, Fudan Art Museum, Shanghai, China
Sea of Tranquility, Yue Art Museum, Yantai, China
Re-Asia Project – Prologue, Longlati, Shanghai, China
Questions That Pierce Time, Hunan Art Museum’s Fifth Young Artist Program, Hunan Art Museum, Hunan, China
2024 Centre Anywhere, Yuan Art Museum, Beijing, China
One and All: New Artistic Styles of Contemporary Painting, National Art Museum of China, Beijing, China
Symphony of Coexistence – Chinese and Southeast Asian Art Invitational Exhibition, Art Museum of SCFAI, Chongqing, China
Return of the Sea, TAG Art Museum, Qingdao, China
Perception and Traces, The Age of Human Wisdom, Jinan International Biennale, Jinan, China
Pulse of the Hinterland: Wisdom Integration of the Silk Road, The 4th Xinjiang China International Art Biennial, Xinjiang Art Museum, Urumqi, China
The Exhibition of Annual of Contemporary Art of China 2013-2024, One Art Museum, Beijing, China
2023 Compound Eyes and Deep Pupils, Annual Exhibition of the Oil Painting Department, 30th Anniversary Archive Exhibition, Sichuan Fine Arts Institute Art Museum, Chongqing, China
Geographies of Feeling, 2023 Parallel Exhibition of Chengdu Biennale, A4 Art Museum, Chengdu, China
Seaward, the 2nd TAG-New Contemporary,TAG Art Museum, Qingdao, China
13+1 – Genealogy Study of Artists Season 1, Start Art Museum, Shanghai, China
Seeking the City, 2023 Datong Contemporary Art Season, Datong Ancient City, Taiping Tower South, Datong, China
Bordercrossing: Possibilities and Interactions, Yuz Museum, Shanghai, China
Focus China, Staatliche Kunstsammlungen Dresden, Dresden, Germany
Steadfastly Revise for the Standards in Nonproductive Construction, Lona March Space, Beijing, China
Annular Vaccum Chamber, Yuan Art Museum, Beijing, China
Projection, Sifang Art Museum, Nanjing, China
Resonance Between Text, Code and Perception: Three Perspectives of Medium in Art Practice, CAFA Art Museum, Beijing, China
Edges as the Center: Riverine Borders, Bridges and Memory Spaces between China, Mongolia, North Korea and Russia, G Museum, Nanjing, China
2022 ON |OFF: Carousel of Progress, He Art Museum, Shunde, China
Floating, Guangdong Museum of Art, Guangdong, China
The Disconnected Generation, Song Art Museum, Beijing, China
Pixe/ Row, West Bund Museum, Shanghai, China
Wuhan Biennale: Open Gesture, He Museum, Wuhan, China
Un dialogue avec la Sensibilité Écriture, Désir, Amour, Being Art Museum , Shanghai, China
2021 When and Only When, the Strong Wind Rolled up the Surge, Aranya, Qinhuangdao, China
Almost Paradise, Mis/Perceptions of Leisure and Labor in the Asia – Pacific, Shanghai Duolun Museum of Modern Art, Shanghai, China
13th Shanghai Biennale: Bodies of Water, Power Station of Art, Shanghai, China
Circular lmpact: Video Art 21, OCAT Shanghai, Shanghai, China
2020 An Archive Seven Trails, Taikang Space, Beijing, China
Those who see and know all, are all and can do all, 798 Art Center, Beijing, China
Gold en Flow, CHAO Art Center, Beijing, China
Being of Evils, Hive Center for Contemporary Art, Beijing, China
2018 Dance With It, Taikang Space, Beijing, China
The Comfort Zone At A Distance, Taikang Space-Light Pavilion, Beijing, China
Fiction Art, OCAT Shenzhen, Shenzhen, China
2017-2018 OCAT Shanghai/OCAT Institute, Shanghai/Beijing, China
2017 I Do (not) Want To Be Part Of Your Celebration, Qiao Space & TANK Shanghai
Project Space, Shanghai, China
Reciprocal Enlightenment, CAFA, Beijing, China

Recently curated exhibitions
2023Youth Now!, The Up&Coming Sector, Gallery Weekend Beijing, Beijing, China
2022Silk Road Traveler, Lethe’s Wanderer, Longlati Foundation, Shanghai, China
Far West: Strange Dreams of Strangers in Strange Lands, Short Film Screening, UCCA Auditorium, Beijing, China
2020 Sino-Wharf from Chinatown to Red Internationalism, OCAT Shenzhen, Shenzhen, China

Awards
2025 First “FT Artist of the Year”, Financial Times China, United Kingdom
2024 Shortlisted for The 2nd TAG-New Contemporary
2023 Forbes China Contemporary Young Artists of the Year
The Golden Hibiscus Award for Photography
2021Porsche “Young Chinese Artist of the Year” Award
Shortlisted for China Art power 100
2020 JIMEI·ARLES Discovery Reward
Gen.T Asian Emerging Pioneers list (2020)
2019 His article “Empire’s Legacy:On “Pacing: A Journey of 70 years” and its silences” won the second prize of the IAAC ( International Awards for Art Criticism) prize .
2018 Shortlisted for HuaYu Youth Award
His film“Interview” has been shortlisted for Caen Si Cinéma Festival
2012The John Moores Painting Prize

Public Collections
Musée d’Art Contemporain de Lyon, France
KADIST Foundation, France
Emerige Group, France
White Rabbit, Australia
Guangdong Museum of Art, China
HE Art Museum, China
Star Museum, China
Song Art Museum, China
Sifang Contemporary Art Museum, China
Longlati Foundation, China
ASE Foundation, China
Whale Art Museum, Singapore

Coversation with Pu Yingwei

时间,历史,我们(Why We Fight)——无法决裂的历史

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