Untitled 19-14

2019. Acrylic on canvas. 160×280cm.

Untitled 19-29

2019. Acrylic on canvas. 140×160cm.

Untitled 19-20

2019. Acrylic on canvas. 140×160cm.

Untitled 19-21

2019. Acrylic on canvas. 140×160cm.

Untitled 19-2

2019. Acrylic on canvas. 140×160cm.

Untitled 19-4

2019. Acrylic on canvas. 140×160cm.

Untitled19-17

2019. Acrylic on canvas. 160 x 280cm.

Untitled 2018-3

2018. Acrylic on canvas. 160×280cm.

Untitled 2018-4

2018. Acrylic on canvas. 140×320cm.

Zhang Dejian

1952 Born in Tianjin

1977 Graduated from Tianjin Academy of Fine Arts

1989 Graduated from Oil Painting Department of Tianjin Academy of Fine Arts

1998-1999 Have studied in Belgium Antwerp Royal Academy by the fund of the National education committee

1989 to now Work as a professor in Tianjin Academy of Fine Arts the Oil painting Department

 

Solo Exhibitions

2019 Sensing Externalities: Zhang Dejian Solo Exhibition, Hive Center for Contemporary Art, Shenzhen, China

          Sensing Externalities: Zhang Dejian Solo Exhibition, Artron Art Centre, Shenzhen, China

2017 Significant Form: Thirty Years of Paintings by Zhang Dejian, Hive Center for Contemporary Art, Beijing, China

 

Selected Group Exhibitions

2019 Diagonal: Zhang Dejian, Zhao Gang, Gene Gallery, Shanghai, China

          Shapes of Expression – Art Exhibition from Teachers in Oil Painting Department of Tianjin Academy of Fine Arts, National Museum of China, Beijing, China

2018 The Clouded Peach Blossom Spring: Selected Works of Chinese Contemporary Artists as Exemplars, Hive Center for Contemporary Art, Beijing, China

2015 Sensibility, Distance Gallery, Tianjin, China

2003 The Third Oil Painting Exhibition of China, National Museum of China, Beijing, China

1998 Zhang Dejians Oil Paintings, Yudian Gallery, Taipei, Taiwan

1995 Tianjin Youth Art Exhibition, Tianjin, China

1990 Eleven Artists from Tianjin Academy of Fine Arts, Beijing Music Hall Art Gallery, Beijing, China

Approaching the Infinite Meditation on the “Intermediate Zone” – A Study on Zhang Dejian’s Painting Practice

Avoiding Both Simulation and Narration

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