Park

2019-2021. Acrylic on canvas. 200×170cm.

Trim the Opposite Corners

2020-2021. Acrylic on canvas. 160×120cm.

Skating

2020-2021. 布面丙烯. 160×120cm.

Rebuilding the Red

2020-2021. Acrylic on canvas. 160×120cm.

Soundproof

2019-2021. Acrylic on canvas. 250×200cm.

Facial Mask

2020-2021. Acrylic on canvas. 200×170cm.

鳄痣

2021. Acrylic on canvas. 170×250cm

Real-view mirror

2021
Acrylic on canvas
70×60cm

Hermès

2021
Mixed media on canvas
35×30cm

贝壳

布面丙烯
120×90cm

Jet-propelled

2020. Acrylic on canvas. 160×120cm.

Sunrise

2019-2020. Acrylic on canvas. 200×160cm.

Solar Eclipse

2019-2020. Acrylic on canvas. 250×200cm.

Pier

2020. Acrylic on canvas. 200×170cm.

Cover Up

2020. Acrylic on canvas. 200×170cm.

Gravity

2020. Acrylic on canvas. 200×170cm.

Aluminum and Plant

2020. Acrylic on canvas. 100×100cm.

Not Here

2019. Acrylic on canvas. 75×100cm.

Sunset at the Bridge

2019. Acrylic on canvas. 100×70cm.

Return

2019. Acrylic on canvas. 100×70cm.

Lighting and Drizzle

2019. Acrylic on canvas. 120×85cm.

Red Edge

2018. Acrylic on canvas. 200×170cm.

Protect You, Close to Me

2017. Aluminum sheet, sponge, paint. 30×21cm.

Jump up to the Night Sky

2017. Acrylic on canvas. 180×150cm.

Detainment

2017. Acrylic on canvas. 200×150cm×3.

Aperture of the Sea

2016-2017. Acrylic on canvas. 150×130cm.

The Waves Breeze the Shore

2017. Acrylic on canvas. 180×150cm.

Peel & Sarcocarp

2017. Acrylic on canvas. 70×60cm.

Falling Petals

2017. Acrylic on canvas. 180×150cm.

Honey

2017. Acrylic on canvas. 60×70cm.

Stepped over the Grassland

2017. Acrylic on canvas. 150×130cm.

Mirror Image

2017. Acrylic on canvas. 150×130cm.

Gill

2017. Acrylic on canvas. 180×150cm.

Afterglow

2016. Acrylic on canvas. 200×160cm.

Unstable surface

2016. Acrylic on canvas. 120×90cm.

Mutual

2016. Acrylic on canvas. 200×160cm.

Surrounded by Hills

2016. Acrylic on canvas. 130×150cm.

Day Day Blue

2016. Acrylic on canvas. 120×90cm.

Seacoast

2016. Acrylic on canvas. 55×50cm.

Pink

2016. Acrylic on canvas. 120×90cm.

Aggreation

2016. Acrylic on canvas and panel. 60×50cm.

Blue Space

2016. Acrylic on canvas. 200×160cm.

Counterclockwise

2016. Acrylic on canvas. 120×85cm×3.

Non-Parallel

2016. Acrylic on canvas. 120×90cm.

Concave-convex

2015. Acrylic on canvas. 200×160cm.

Stack up

2015. Acrylic on canvas. 200×160cm.

Delusion-Inside Out

2015. Acrylic on canvas. 155×135cm.

Crowding

2015. Acrylic on canvas. 120×90cm.

Crevice

2015. Acrylic on canvas. 120×85cm.

Gap

2015. Acrylic on canvas. 120×90cm.

One in One-1

2014. Acrylic on canvas. 120×85cm.

One in One-2

2014. Acrylic on canvas. 180×150cm.

Delusion-2

2014. Acrylic on canvas. 120×85cm.

Delusion-3

2014. Acrylic on canvas. 120×85cm.

Delusion-4

2014. Acrylic on canvas. 100×70cm.

Delusion -5

2014. Acrylic on canvas. 70×60cm.

Delusion-6

2014. Acrylic on canvas. 70×60cm.

Delusion-7

2014. Acrylic on canvas. 60×50cm.

Second-9

2014. Acrylic on canvas. 100×70cm.

Second-15

2014. Acrylic on canvas. 100×70cm.

Second-16

2014. Acrylic on canvas. 100×70cm.

Second-17

2014. Acrylic on canvas. 100×70cm.

Flow

2013. Acrylic on canvas. 150×135cm.

Qian Jiahua

 

Qian Jiahua was born in Shanghai in 1987 and graduated from the China Academy of Art in 2011. Qian Jiahua’s work is based on the concerning for the aesthetics of Bauhaus design and architecture, translates her concerns and feelings about the objects around her into a flat visual language and a pretty sharp treatment. This treatment is also associated with the artist’s deliberate distance from the surrounding objects in order to maintain his sensitivity to different substances. Qian Jiahua often suggests these feelings to the viewer in the form of specific names. Qian Jiahua’s earliest works have a sense of framed drama; later on, the natural, utopian, romantic narrative is presented in a sense of breath between the lines and colours of the painting. More recent works highlight the artist’s concern for the experience of urban life. The cramped architectural space and living space of modern cities has replaced the natural tones of the past with a sense of architectural texture. Qian Jiahua’s work fills a system of abstraction with local attributes of the East, and it is for this reason that Qian’s work is not based on Western abstraction, but, along with other contemporary artists of the painting genre, constructs an inner emphasis on personal feelings that the process of creating is more concerned with, i.e. the changes in social forms.

 

1987 Born in Shanghai, China

2011 Graduated from China Academy of Art, B.A Degree

Currently lives and works in Shanghai

 

Solo Exhibition

2021 Jiahua Vision, Hive Center for Contemporary Art, Beijing, China

2018 Qian Jiahua: Antithetical, London, England

2017 Qian Jiahua: Breathe, Hive Center for Contemporary Art, Shenzhen, China

2014 Qian Jiahua Solo Exhibition, Hive Center for Contemporary Art, Beijing, China

          Qian Jiahua: Not Every Second Counts, MACASA Art Project, Shanghai Gallery of Art, Shanghai, China

2013 Infinite Divisibility: Qian Jiahua’s Debut S<olo, Shanghai Gallery of Art, Shanghai, China

 

Group Exhibitions

2020 The Salvation of Shahrazad: Memo of the New Generation Painting, Hive Center for Contemporary Art, Beijing, China

2019 Light Profoundness: The Worldlet of East Asian Artists, Hive Center for Contemporary Art, Beijing, China

          Summer Fling, Hive Center for Contemporary Art, Beijing, China

          Out for Summer, Simon Lee Gallery,HongKong, China

          New Abstraction: Chapter 2, HdM Gallery, Beijing, China

          Painting Interface, Leo Gallery, Shanghai, China

          Flaneur’s Square, Hive Center for Contemporary Art, Beijing, China

          Ideological Characteristics: Wei Xingye Collection Exhibition (Chapter 1), WXY Foundation, Xi’an, China

2017 Degree Zero of Art: the Rational Expression of Abstract Art, Hive Center for Contemporary Art, Beijing, China

          On Drawing Visibility of Power, J: Gallery, Shanghai, China

2016 A Ride to Combine: Hive’s Special Exhibition 2016, Hive Center for Contemporary Art, Beijing, China

          Painting as the Strait Gate: Post-80s Artists Invitation Exhibition,Hive Center for Contemporary Art, Beijing, China

          The World is Yours, as well as Ours, White Cube Gallery, London, UK

          Silence, Pearl Lam Gallery, Singapore

          The Working of Non-figurative System, Zheng guan Museum, Beijing, China

          We, K11, Shanghai, China

          New Capital: Huang Yu Collection Exhibition, MOCA Chengdu, Chengdu, China

          Research Room Ⅲ: The Working of Non-figurative System, Rightview art museum, Beijing, China

2015 Editing the Spectacle: the Individual and Working Methods Post-Mediatization, Hive Center for Contemporary Art, Beijing, China

          The Boundaries of Order, Hive Center for Contemporary Art, Beijing, China

          The Twelve Paintings, L-Art Gallery, Chengdu, China

2014 Break: Set up/New Transform of the Painting, Long Museum, Shanghai, China

          Under the Rainbow: Exhibition of Three Young Artists, AYE Gallery, Beijing, China

          Up-Youth: China Young Artists Exhibition 2014, Times Art Museum, Beijing, China

          The Form Without Form: Exhibition of Contemporary Abstract Art in China, St. Urban Contemporary Art Museum, Switzerland

2013 Composition-Wandering, L-Art Gallery, Chengdu, China

          Games: Group Exhibition of Young Artists, SanshangArt, Hangzhou, China

2012 Next Station: Group Exhibition in Winter, Inna Contemporary Art Space, Hangzhou, China

          I don’t Know, I Know: Group Exhibition of Young Artists, Sanshang Art, Hangzhou, China

Qian Jiahua: A Simulation of Breathe

Spatial Alchemy

On the Perceptive Logic of Art

Please scan the QR code to follow us on WeChat :HIVEART2013